[INFO] Paweł Szymański - nowe nagrania na mp3

[Małgosia Koźmin]

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[P.Szymański]

[Małgosia Koźmin]

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[Małgosia Koźmin]

[P.Szymański]

[kanczenconga]

[Małgosia Koźmin]

[jednoręki bandyta]

[jednoręki bandyta]

[jednoręki bandyta]

[P.Szymański]

[Pytałeś Ernesta, czy specjalnie tego dnia otworzy nasz ulubiony bar pod sceną? : )[/quote]

Dziękuję za przypomnienie, już wysłałem list z pytaniem. Tam było tak cudownie...

[P.Szymański]

[jednoręki bandyta]

[Marek Kaczanowski]

[P.Szymański]

[P.Szymański]

W dziale "muzyka" (na samym dole) jest nowa piosenka.
Jest to stary numer, który sobie przypomniałem w związku ze wspomnieniem o mojej wersji Salty Dog Blues.
Tak sobie wczoraj zacząłem pogrywać i nucić i nagrałem ów numer.
http://szymanski.blues.org.pl/index.php?m=26

Pieśń nazywa się "Krzyżyk" i została nagrana oczywiście sposobem 100% live (tak samo, jak kiedyś Salty Dog).

Zagadka jest skierowana do miłośników harmonijki

W której pozycji (na kole kwintowym) jest to zagrane? Dla ułatwienia dodam, że jest 12 możliwości.

[kanczenconga]

[P.Szymański]

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[Małgosia Koźmin]

[kanczenconga]

informuję, że po przesłuchaniu Urody Zdarzeń barmanom opadły szczęki (tzn. żuchwy), ale droga jeszcze daleka.

[lauderdale]

[lauderdale]

Taaa
gdzies juz taki numer widzialem....

[P.Szymański]

[lauderdale]

[P.Szymański]

[lauderdale]

Bardzo dziekuje za mile slowa.
Ze swej strony gratuluje pomyslowosci.
Sam troszke podgrywam sobie a muzom wiec wiem , ze trzeba troche pracy wlozyc.

Cytat z goscia o nazwisku Pat Missin:
Fourth and fifth positions turn up on record a little earlier. Rhythm Willie's "Breathtakin' Blues" (reissued on RST Jazz Perspectives JPCD1505-2) is in fourth position, Gm on a Bb harp, recorded in 1940. As far as I know it's the only pre-war blues recording in this position and I have transcribed it on this page. Outside of the blues tradition, Winslow Yerxa discovered a piece which alternates between F major and D minor played on an F harp, recorded in 1929 by a French Canadian player called Pit Paré, which can be heard on this page this page at the Library and Archives Canada site. Even earlier than these pieces is the 1915 recording of "Toreador March", by Arthur Turelly. This features a section played in Gm on a Bb harp and can be heard on this page.

As far as I am aware, the first recording of fifth position by a blues player was done by William McCoy in 1928 and is called "Central Tacks Blues". It is available on "Texas: Black Country Dance Music" (Document DOCD 5162). He's playing an A harp in the key of C# and this piece is transcribed on this page. Joe Filisko alerted me to another pre-war instance of 5th position recording the following year, by Eddie Mapp accompanying Curley Weaver on the song "It's The Best Stuff Yet", reissued on "Georgia Blues 1928 - 1933 (Document DOCD-5110). The recording comes out in the key of Eb and it seems that Mapp is playing a B diatonic in fifth position. However, I strongly suspect that it was actually performed in the key of E and the recording has been slowed down, although due to the quality of the recording it is hard to be certain. The next recorded example of fifth of which I am aware, was by the legendary "?" Turner (legendary for never having her first name noted, but remembered for apparently being cross-eyed!), who accompanied Guitar Slim (one of many musicians with the same nickname), using fifth position on a track called "Alla Blues" (although I think that should actually be "L.A. Blues"). It was recorded in late 1947, or early 1948, in Los Angeles, although the guitar playing is pure Texas. Ms Turner is playing a G harp in the key of B. It has been reissued on the British ABM label, ABM 1089 "West Coast Down Home Blues". Later still, Percy Randolph plays a G harp in the key of B on "Jack Of Diamonds". Recorded in 1958, this was issued on Snook's Eaglin's album "Country Boy Down In New Orleans", Arhoolie 348.

Once again, I'm grateful to Joe Filisko for alerting me to a pre-war recording of sixth position. Eddie Mapp plays an E harp in the key of Eb to accompany guitarist Curley Weaver on his 1929 recording of "No No Blues", also reissued on "Georgia Blues 1928 - 1933 (Document DOCD-5110). Actually, it sounds as though Weaver is using voicings on the guitar normally associated with the key of E, so either he tuned his guitar a semitone flat, or the recording has been slowed down and Mapp was actually playing an F harp in the key of E. Either way, it is still sixth position and quite a unique performance.

Twelfth position is used by contemporary players such as Howard Levy (who refers to it as "first flat position"), Will Scarlett, Carlos Del Junco, Charlie McCoy and others, but was never really common amongst traditional blues players. It was used by Daddy Stovepipe on a couple of tunes, the earliest being "Stovepipe Blues" recorded in 1924 and reissued on Document DOCD-5166, "Alabama Black Country Dance Bands 1924 - 1949". The song begins in the key of C, with a C harp played in first position (the recording plays almost in C#, but as C# harps were not available in the twenties, I assume he's playing in C and the recording has been speeded up) and then modulates to the key of F, Stovepipe shifting to twelfth position on the same harp. Reissued on the same CD is a another performance from Stovepipe using twelfth position - "Greenville Strut", recorded 1931, also features a C harp played in the key of F. Another early twelfth position recording in a very different style, was made by Alvin Gautreaux with the New Orleans jazz group John Hyman's Bayou Stompers, back in March 1927. "Ain't Love Grand" was played in the key of Eb using a Bb harmonica and is reissued on "The Owls Hoot" (Frog Records DFG2).

Link do strony :

Tu jest co nieco o tym kto pierwszy.

Natomiast nie jest tajemnica , ze jest ralatywnie malo muzykow grajacych technikami tradycyjnymi powyzej 3 pozycji.
Czasem Wielki Charlie Musselwhite czy o ile pamietam Jerry Portnoy.

Jest tez dosc oczywiste ze granie do 6 pozycji z 12 wlacznie jest relatywnie latwe ( przy odpowiednim ograniu ) natomiast sztuki w pzycjach np 7,8,9 no to ciezko bez overbendingu.


Pozdrawiam tak zwyczajnie w drugiej pozycji

ps. Sorry za ta wklejke ale nie mialem czasu tego przetlumaczyc, zreszta zalozylem z gory , ze z angielskim to sobie poradzisz.

[P.Szymański]